What the Creation Museum is Really About

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Answers in Genesis opened its much-anticipated, 27-million dollar Creation Museum in rural Northern Kentucky at the end of May 2007, drawing more than half a million people in the first sixteen months and more than three million in the first ten years. Those are impressive numbers. By comparison, the nearby Cincinnati Museum Center, located in the heart of a major Midwestern city, covering a much larger range of subjects in three separate museums, boasting an OMNIMAX theater, and targeting a much broader demographic than just conservative Protestants, had about 1.45 million visitors in 2015. With 20% as much traffic as its much larger secular neighbor, AiG's museum has proved to be a commercial success. Like the YEC ideas that it embodies, the Creation Museum shows no signs of going away anytime soon.

One reason for this is the high production values evident throughout. I saw this for myself, when I visited the Museum scarcely more than three months after it opened. Terry Mortenson of AiG kindly gave me a tour of the operation behind the scenes afterwards, but mostly I walked through the exhibits unaccompanied, attended a well-organized presentation by astronomer Jason Lisle in the technically impressive planetarium, and formed my own conclusions about the methods and the message of the Creation Museum. A few months ago, I commented on the one thing that struck me most, namely, the way in which visitors are shown the YEC view and evolution as separate but equal sets of assumptions, with the scientific evidence impotent to determine which approach actually provides a better explanation. That is best seen in the Dinosaur Dig Site (above), a huge sand box in which two paleontologists, one secular and one a creationist, uncover the same bones with the same techniques but draw very different conclusions about their implications.

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